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''Victory'' is a 1940 film based on the popular first novel from 1915 by Joseph Conrad. On the eve of the American entry into World War 2, the often-filmed Conrad story of a hermit on an island invaded by thugs was refashioned into a clarion call for intervention in the war in Europe, at the height of American isolationism. ==Film== Cromwell's 1940 film adaptation for Paramount repeated a story that had already been made by Paramount into film in 1930 by William Wellman, retitled as Dangerous Paradise and, in 1919, was Conrad's first novel to be filmed in a silent version with Lon Chaney Jr.〔http://www.mrqe.com/movie_reviews/victory-m100062539〕 Cromwell's version was adapted by John Balderston, who'd written a number of Universal horror pictures, such as Dracula, and the popular The Prisoner of Zenda also directed by Cromwell. Widely considered the best film version, the 1940 film starred Oscar-winning Fredric March, in the steamy tropical psychological thriller, with Betty Field as the female lead (March had begged the recently arrived Ingrid Bergman to do it but she'd refused). Set in the present day, Fredric March's intellectual British recluse has vowed to close himself off from the world and now lives alone on an island in the Dutch East Indies. But the bitter man is forced to break this promise to himself when lovely travelling showgirl Betty Field, also fleeing from the world, is threatened by three murderous scavengers on one dreadful evening. The villains are led by Cedric Hardwicke, usually typecast as a huffy, slightly stupid English gentleman, but here stands out as a creepy, soulless villain, as does his Cockney sidekick, Jerome Cowan, whom Hardwicke treats with surprisingly explicit sexual sadism. They switch their attentions from Field to March when they believe that March's character has untold wealth to plunder. The morose March is motivated by love and their savagery to return to the real world and do his part, but his regeneration is tinged by tragedy. Though an uneven movie (it's possible the book was unfilmable, says one review), the 1940 Victory succeeds in its ability to convey Joseph Conrad's overall sense of doom and foreboding. This is doubtless because Cromwell and March, both ardent anti-fascists in favor of then neutral United States joining Britain in the fight against Hitler, were themselves fearing the rise of Nazism in Europe. They refashioned Conrad's 1915 novel into a critique of the perils of isolationism - an issue then rending the US apart as England suffered under the London Blitz from Nazi bombers while the majority of Americans wanted nothing to do with the war. The happy ending tacked onto to all three Paramount versions, in which March and Fields spend their lives together in bliss on the island, did not help the film, not least because March and Fields had very little on-screen chemistry in the first place.〔Fredric March - A Consummate Actor, by Charles Tranberg, Kindle edition, ibid.〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Victory (1940 film)」の詳細全文を読む スポンサード リンク
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